Solo exhibition of Oscar-nominated filmmaker Garrett Bradley — multi-channel video installations with careful blackout, sound isolation and projection sync.
Garrett Bradley’s films work in layers — multiple images, multiple timelines, sound that moves between them. “Revolutions” brought that approach into the gallery, where the demands are different from the cinema: the work has to hold up for hours at a time, day after day, in front of a public that walks in and out at will.
We built the multi-channel installations to run reliably on a loop, with frame-accurate synchronisation between channels and a sound design that gives each work its own acoustic space inside a shared room. The technology is invisible by intention — what the visitor notices is Bradley’s image, not the machine behind it.
Major exhibition presenting Tilda Swinton's decades-long collaboration with film and the visual arts — AV concept, projection, screen and sound design across multiple rooms.
Exhibition built around the work of Turkish filmmaker Nuri Bilge Ceylan, integrating film stills, sound and immersive projection.
Exhibition curated around underground and experimental film — AV integration for immersive screenings and gallery-grade installation hardware.